ESCAPE ROOM 2 `2020`
HD
| Release Date | : | 2020-12-30 |
| Runtime | : | 0 min. |
| Genres | : | Horror, Thriller |
| Production Company | : | Original Film, Columbia Pictures |
| Casts | : | Isabelle Fuhrman, Taylor Russell, Logan Miller, Holland Roden, Indya Moore, Thomas Cocquerel, Carlito Olivero |
| Plot Keywords | : |
Sequel to the film about strangers who find themselves in a maze of deadly rooms.
Escape Room attempts to capitalize on the apparently wild popularity of America’s new “escape room” pastime. (I stand firm in my opinion that the film would be much improved if there were an unofficial fifteen minute intermission in which the film abruptly cuts out and the lights come up and the exits are blocked, but for whatever reason, the film insists on being watched as its main draw.) It’s almost not worth mentioning the obvious line about how the movie itself is a play on its own name. It isn’t even the first escape room movie in the last few years. The trailer had some lovely visuals, so I recommend if you want to see the movie, you return to the trailer and loop that a few times.
Taylor Russell, of Netflix’s Lost in Space fame, Logan Miller (who’s been on a bit of a hot streak until this film, it seems), and the others are actually kind of brilliant as an ensemble cast. Deborah Ann Woll who seems like maybe the biggest draw in some respects from her time on True Blood is a Rorschach of fan-service and feminist badassery, serving two crass masters effortlessly. Despite a startlingly dumb premise and an overly long follow through–why do the rooms grow progressively more and more boring as they proceed?–the cast bravely struggles onward. Looking at the writing crew for this one, it seems clear that Maria Melnik, current staff writer for Gaiman’s American Gods adaptation for Starz, is not to blame, which leaves one Bragi Schut holding the bag. It’s so seldom that we can find a patient zero for such criminally lazy writing, so we should rejoice a little bit in the ease with which that mystery was dispatched.
Clearly what would’ve made this movie better is if they had stuck more closely to the premise of their trailer and either 1) pulled a Soderbergh and kept their cards close until a big twist and reveal at the end when we see how the players actually outsmarted the Gamesmaster or 2) the movie should have shifted at the halfway point, as it appeared it would before fizzling out and then going completely bonkers and then flashing forward helpfully by three months, toward giving the players more agency as they try to stay a few steps ahead of the game design itself, pulling double duty as they are forced to solve the rooms while also deceiving their captors. That second game, of returning control of the situation to the victims is a classic type of empowerment that saved the genre from tired stereotypes and clichéd plots long ago (think Red Eye, Panic Room, the recent sequel to Halloween, and, to a different extent, the turn in It Follows).
Friend and I saw this instead of the advanced screening of Alita: Battle Angel because there was too much traffic to make it to SF in time. It was probably better than gouging our eyes out with sea salts or sucking on knives, but only just.
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Genre Action Adventure Drama Science Escape Room 2 (2020)
